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INT. LIVING ROOM - DAY Aaron sits down in front of his computer and switches it on. It beeps and clicks and the monitor fades in. He takes a big slug of coffee, lights a cigarette, cracks his knuckles, poises his fingers over the keyboard, then sighs and throws his hands in the air. AARON
CATHY AARON CATHY
AARON
CATHY
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CATHY
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Aaron glances at his blank monitor, the cursor flashing. AARON
CATHY
AARON
CATHY
Aaron hangs up. He reaches over and switches off the computer. EXT. BEACH - DAY Aaron and Cathy stroll up the beach with Harold on a leash. They both wear sweaters. The sky is turquoise and cloudless, seagulls caw and swoop and waves crash against the rocky breakwater. It's calm and peaceful. Harold pulls against the leash and stops every two seconds to sniff things. CATHY
AARON
CATHY
AARON
CATHY
AARON
CATHY
AARON
CATHY
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Cathy steps up to the water's edge. She watches the waves slide up to her toes, then roll back. CATHY
AARON
CATHY
Aaron waves his hand. AARON
CATHY
AARON
Aaron picks up a stick and begins drawing in the wet sand. He writes, "Cathy + Aaron" and draws two stick figures dancing. She smiles. He puts his arms around her and hugs her. Cathy and Aaron kiss. Two lone figures on a vast empty beach. Harold tugs at his leash. CATHY AARON
CATHY She takes Aaron's hand and leads him toward the scrubby hills that run parallel to the beach. They begin following a little path into the hills. AARON
CATHY
Aaron's eyes widen. This has happened before. It's just like his wet dream in the car. EXT. HILLS - DAY Cathy leads Aaron to a grassy open area not visible from the beach. Cathy sits down and pulls Aaron down beside her. She lets go of Harold's leash and he wanders a few steps away. She takes off her sweater revealing a tight, semi-transparent cotton tank top beneath. Her nipples are visible through the sheer material. She lays the sweater on the ground behind them. Aaron takes off his sweater revealing his "Raging Bull" baseball shirt. He lays his sweater beside hers. They lean back and kiss. After a moment of passionate kissing and groping, Cathy reaches down and begins undoing Aaron's jeans. AARON
CATHY
Aaron pulls off her tank top exposing her perfectly proportioned breasts. He brings his mouth to one of her nipples and runs his tongue over it. She reaches both hands into his open jeans. EXT. BEACH - DAY Harold runs as fast as he can up and down the beach by himself, the leash trailing behind. He stops every now and then to challenge the crashing waves, then runs off. White foamy salt water covers "Cathy + Aaron" and the two dancing stick figures in the sand. As the water recedes the sand is washed clean. DISSOLVE TO: INT. AARON'S APARTMENT - DAY Aaron sits on the couch talking on the telephone. As always, he's talking to Sandy. AARON
SANDY
AARON
SANDY
AARON
SANDY
AARON
SANDY
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SANDY
AARON
Aaron hangs up and there is a knock at the door. He opens the door and it's Cathy. She looks worried and forlorn. Aaron is very happy to see her. AARON
CATHY
AARON
CATHY
The wind goes right out of Aaron's sails. He stands at the center of the room utterly depleted. AARON
CATHY
Aaron's mouth hangs open. His arms dangle limply at his sides. He looks like he's had a lobotomy. CATHY
AARON
CATHY
AARON
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AARON
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Aaron gets his checkbook. He writes out a check and hands it to her. She puts it in her pocket. Aaron reaches out to touch her arm and she pulls away. She turns and walks to the door. CATHY
AARON
She turns and faces him. CATHY
She opens the door and leaves. Aaron slowly lowers himself into his desk chair. He glances at the flashing cursor on the monitor. After a moment he reaches over and switches the computer off. The cursor disappears. DISSOLVE TO: EXT. CATHY'S APARTMENT BUILDING - DAY Aaron pulls up in front of Cathy's apartment. INT. AARON'S CAR - DAY He glances at the digital clock on the dashboard. It's 10:30. He steps out into the warm sunshine and crosses the street. EXT. CATHY'S COURTYARD - DAY When he arrives at her apartment door he finds a note taped there. It says, "Aaron, Shauna is driving me. Cathy." Aaron's eyes grow steely. He tears the note from the door. AARON
He crumbles the note and throws it on the ground. He hears Harold bark inside the apartment. AARON
Aaron walks away. DISSOLVE TO: EXT. HIGHLAND AVENUE - DAY Aaron and Ben, both wearing soaked sweats, jog up the palm-lined median at the center of Highland Ave. in Hollywood. They pass many other joggers. Most of them wear walkmen, oblivious to the world. AARON BEN
AARON BEN AARON BEN
AARON BEN
AARON
BEN AARON BEN AARON BEN
AARON
BEN
Aaron considers this. INT. AARON'S APARTMENT - DAY Aaron is on the telephone listening. CATHY AARON He hangs up. EXT. THE PARAMOUNT THEATER - NIGHT On the marquee of the Paramount Theater on Hollywood Blvd. it reads, "KROQ Radio presents THE DEAD DON'T DIE, World Premiere." In front of the theater is a KROQ van, a KTLA van, two spotlights, and an ambulance. Waiting at the door is a long line of extreme-looking punks and bikers. There are also people dressed like zombies, people with fake cuts, people covered with fake blood, people with fake cleavers and knives stuck in them. A TV video crew is going through the line interviewing people. A limousine pulls up in front of the theater. Everyone in line turns and watches as Tom, the producer, wearing a tuxedo, gets out of the limo with a woman in an evening gown. A voice comes through the P.A. system. ANNOUNCER The people in line clap rather halfheartedly. The limo drives away. EXT. SIDE STREET - NIGHT The limo turns down the side street beside the theater. It stops and picks up Loren McCay, the dark-haired star of the movie, who is also wearing a tuxedo, and his girlfriend. The limo then goes around the block. EXT. PARAMOUNT THEATER - NIGHT The limo pulls up in front of the theater. ANNOUNCER
The punks, bikers and zombies clap twice as hard for Loren. He waves as he goes into the theater. The limo drives away. EXT. SIDE STREET - NIGHT The limo picks up Ben and Sheree, the blonde female star. Ben is also wearing a tuxedo. EXT. PARAMOUNT THEATER - NIGHT The limo pulls up in front of the theater. ANNOUNCER
Everyone in line is clapping, whistling and screaming. Ben bows to them and his glasses drop out of his pocket, hit the cement and break.. He scoops them right up, takes Sheree's arm and escorts her into the theater. EXT. SIDE STREET - NIGHT Aaron and Cathy watch as the limo approaches. Aaron wears a big-shouldered white suit. Cathy wears a very sexy tight black dress with sections of the midriff cut out and black and white polka dot high heels that look like Harold. CATHY
AARON
CATHY
AARON
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They get into the limo. EXT. PARAMOUNT THEATER - NIGHT The limo pulls up in front of the theater. ANNOUNCER
The people in line scream and applaud. One PUNK turns to another and says loudly. PUNK
Aaron and Cathy smile expansively as they enter the theater. INT. PARAMOUNT THEATER - NIGHT They are greeted by Ben, Tom, Loren, Sheree and the other two women. Everyone kisses and shakes hands and slaps each other on the back. Tom turns to Aaron. TOM
AARON
As the people stream in, Loren sits behind a table and signs posters and gives them away. The poster, which is on the wall behind Loren, is of him with a skull instead of a head. Several people comment, "It looks just like you." Aaron is stopped by the production assistant from the beginning who tried to stop him from getting on the set. P.A.
AARON
INT. AUDITORIUM - NIGHT The filmmakers all sit in the same row, halfway down. They are joined by several other members of the crew, including Ace, the production manager. The theater is filled to capacity. Ben stands up in front of the audience and they quiet down. BEN
The audience clap and cheer. The lights go down and the film begins. On screen: The title, "The Dead Don't Die," appears in red on a black background. The letters drip down like blood. Fade in on Loren. He is wandering alone through the woods. The ground beside him cracks open, a hellish red light glows and noxious fumes spew out and engulf him. When the smoke clears he is possessed with evil-he howls in pain, his forehead grows and throbs with a pretty good bladder effect, his teeth sharpen to points and steam begins pouring out of his ears. The audience begins to howl with laughter, whistling and hooting. On screen: Loren begins repeatedly pounding his own head against a tree. The audience can't stop laughing. It's like they're watching a slapstick comedy. Aaron, meanwhile, is amazed at the response the film is getting. He keeps looking at the people all around him convulsed in hysterical laughter. He turns to Cathy and she is scowling. She whispers in Aaron's ear. CATHY Aaron shrugs. DISSOLVE TO: On screen: At the end of the movie, Loren stands on the pedestal in front of the castle, dressed in rags, a bloody sword in his hand, surrounded by all of the extras and horses in armor, and looks into his soul and sees pure evil. The audience thinks this is the funniest thing of all. On screen: All of the warriors go charging up the hill toward the castle. The shot swoops into the air taking in the full expanse of the scene and fades out. The credits roll. The audience stands and applauds, cheering and whistling. Cathy has a truly awful expression on her face. She turns to Aaron. CATHY
AARON
CATHY
She stands and Aaron follows her out into the lobby. INT. LOBBY - NIGHT Cathy shudders. CATHY
AARON
CATHY AARON
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At that moment the auditorium doors swing open and the sound of applause and cheering fill the lobby. Cathy winces. Aaron shrugs. AARON
The video camera crew is waiting as Ben, Tom, and Loren, all in their tuxedos, step into the lobby. The camera, a bright light and a microphone are shoved in their faces. They have dazed expressions. The INTERVIEWER asks... INTERVIEWER
Ben, Tom and Loren all look at each other in bewilderment. Tom and Loren look mortified. Ben smiles. BEN
INTERVIEWER
BEN
Cathy is disgusted. She turns and walks out of the theater. Aaron watches as Ben, Tom and Loren, three long-stemmed glasses of champagne in their hands, toast for the camera. Aaron heads outside. EXT. PARAMOUNT THEATER - NIGHT Cathy is waiting beside the spotlights and the ambulance. CATHY
AARON
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Aaron grabs her shoulder and turns her around. AARON
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Aaron's face drops. AARON
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EXT. CATHY'S APARTMENT BUILDING - NIGHT Aaron's car pulls up and stops. INT. AARON'S CAR - NIGHT Aaron and Cathy sit for a moment in silence. She reaches for the door handle. AARON
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AARON
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He grabs her by the shoulders, pulls her to him and kisses her. And keeps kissing her. In a moment she starts kissing him back and brings her hands up around his neck. When they finish, Cathy runs her fingertips over his cheek and lips. CATHY
AARON
Cathy opens the door and leaves. Aaron watches
her cross the street and go through the gate. |
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