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Todd sits on the one hard, wooden chair surrounded by empty beer cans and booze bottles. He hasn't shaved in a couple of days and wears only gym shorts. He is smashed and holds a glass of scotch. He takes a sip and winces. The phone rings and he answers it. TODD LAURA TODD LAURA
Todd's eyes glaze with hurt and anger. TODD
LAURA
TODD
LAURA
TODD
LAURA
TODD
LAURA
TODD LAURA
TODD LAURA
TODD LAURA TODD LAURA
TODD LAURA
She hangs up. Todd doesn't. He speaks into the dead receiver. TODD He drops the receiver on the floor. He staggers out of the chair and goes to the kitchen. He comes back with a plastic liter size Coke bottle full of water and goes out the front door. EXT. TODD'S APARTMENT BUILDING - DAY Todd steps outside and the bright sun blinds his bloodshot, bleary eyes. TODD Todd hears a door open near the back of the courtyard. He sees George step out of an apartment, followed by Chris with the thin blonde hair. Next comes a federal MARSHAL with a piece of paper in his hand. He escorts Chris up the walk. MARSHAL
CHRIS MARSHAL
CHRIS
MARSHAL
CHRIS
GEORGE The Marshal let's go of Chris down at the sidewalk, then opens the door to his brown government car. MARSHAL
CHRIS
The Marshal drives away. Chris sits down on the step, puts his face into his hands and begins to cry. Todd stands over his scraggily little plants and glances at Chris. TODD
CHRIS
TODD
Chris is surprised and not entirely sure what Todd means. CHRIS
TODD
CHRIS
TODD
CHRIS TODD
CHRIS
Todd sprinkles water from the Coke bottle onto the plants. They're just barely hanging on. DISSOLVE TO: INT. AM/PM MINI MART - NIGHT Todd stands behind the counter wearing a blue and white outfit with "AM/PM" on the breast. His eyes are bloodshot and glazed. Beside him stands the owner of the store, MR. CHOI, a pissed-off Korean man. MR.
CHOI TODD MR.
CHOI TODD
MR.
CHOI TODD
MR.
CHOI TODD
Mr. Choi takes his jacket and leaves. Todd looks around and shrugs. This isn't so bad. He takes a Sports Illustrated Magazine from the rack, sits on a stool and flips through it. A group of five 11 and 12 year old kids come into the store and play the video games. As soon as the games start bleeping the kids begin yelling and pushing each other. Todd looks up, but doesn't say anything. Then a huge BIKER with long hair, a beard and a black leather jacket steps up to the counter. He points at the magazines behind Todd. BIKER
TODD The Biker's eyes narrow and a sneer crosses his face. BIKER
TODD BIKER TODD
Todd gets the Easy Rider Magazine and hands it to the Biker. A male and female JUNKIE come stumbling in, their eyes halfway rolled up into their skulls. They zig-zag their way to the slurpee machine and proceed to make a total mess: dropping cups and straws, overflowing the slurpees and leaving the stuff running. Todd goes over to help them. The front door opens and three ROCKER CHICKS in black leather, tight skirts, torn black stockings and army boots come into the store shrieking loudly. They go directly to the hotdogs and begin making them themselves. Todd sees this. TODD Todd goes over to the Rocker Chicks. TODD R.C
#1 R.C.#2
TODD R.C.#3
Rocker Chick #3 throws her ketchupy hotdog on the floor, then the other two follow suit. They all shriek with laughter and run out of the store. Todd sighs and gets down on the floor to clean up the mess. He glances up into the convex mirror in the corner and sees the kids from the video games filling their pockets with candy. Todd stands and goes over to them. TODD KID
#1 TODD The kid pushes Todd over another kid whose on all fours behind him. Todd falls on his back. The kids dash out of the store. Todd gets up rubbing the back of his head. TODD He glances over at the junkies who have the slurpee machine just pouring out onto the floor. Todd runs over and turns the thing off. He points at the overflowing cup. TODD Both junkies look at the cup, then at Todd and shake their heads. JUNKIE TODD The two junkies stumble away. Todd goes back to the counter, finds the Biker gone and the cover of the Easy Rider Magazine crumpled and torn. TODD Todd tries to flatten it back out. At which point a Mexican street gang of six guys enters. Right behind them is an old black HOMELESS man. The gang spreads out around the store speaking in Spanish. The Homeless man comes up to the counter. HOMELESS Todd glances around the counter, then shakes his head. TODD
The Homeless man takes a handful of change out of his pocket and spreads it out over the counter. HOMELESS TODD HOMELESS Todd looks from mirror to mirror and sees that all of the gang members are stealing stuff from every aisle. The Junkies are messing with the coffeemakers and steaming coffee is streaming onto the floor near to where the hotdogs are. The Homeless man keeps counting. HOMELESS Todd stands there feeling utterly helpless. One more of his reality lines has snapped. He's having a swirling, drowning sensation and is becoming short of breath. Everything's going around and around and around... EXT. TODD'S APARTMENT DOOR - DAY ...The swirling stops on Todd's apartment door marked one. Todd steps up holding a brown bag with a bottle in it. He tries to open his door and it's locked. TODD There's no answer. Todd takes out his keys and unlocks the door. INT. TODD'S APARTMENT - DAY Todd opens the door and finds his apartment has been cleaned out. Everything is gone, including the sheets from the bed and the telephone. Todd's eyes are wide with shock. And then a bigger panic hits him. TODD He dashes to the closet. It is completely empty, no clothes, no shoes, no comic books. Snap! There's another one. And then there's the ridiculously loud sound of a chainsaw buzzing like it's right in Todd's living room. Todd turns around with an insane, unhinged look like he's suddenly in a horror movie. He goes to the window, opens it and sees... EXT. TODD'S BUILDING - DAY Mexican workers are cutting down the hedges on the front lawn with chainsaws. Other workers are tearing out the grass with hoes and yet another is ripping Todd's plants out by hand. Todd watches from the window. TODD
The MEXICAN worker whose tearing out his plants looks up at him and smiles with bad teeth. MEXICAN
The swarm of workers continues to decimate the lawn. The worker beneath the window throws Todd's handful of dead, uprooted plants into the central pile of refuse. Todd is hyperventilating through a knotted face and clenched teeth. He glances up just in time to see a parking enforcement officer putting a ticket under his windshield wiper. That's it. All his lines to reality have snapped. Todd turns back inside. The apartment starts to spin and he grabs the back of the chair for support. It won't hold him. The pain and despair are too heavy and drive him to his knees. A moan wells up inside him, like that of a half dead animal, then bursts forth. It rises in octaves until it alters into a howl, then a full-fledged scream. There's pounding on the wall, followed by the angry voice of his neighbor. NEIGHBOR
(O.S.) It's like someone shoved a red hot poker up Todd's ass. He jumps to his feet and starts pounding and kicking the wall. TODD There's no response from his neighbor and Todd finally stops. He turns around and his eyes are closed. His face twitching in various spots. DISSOLVE TO: INT. TODD'S APARTMENT - DAY & NIGHT Todd sits in his straight-backed wooden chair, his eyes burning, a plastic half gallon bottle of generic vodka gripped tightly in his hand. Our view goes around his empty apartment awash in empty beer cans, booze bottles and Doritoes bags, we pass the window and see that Todd's car is getting the boot... ...The spinning speeds up as a cacophony of sound is heard: the Jewish boys in their brass band playing "Hatikva" off key, little children screaming, a girl in another apartment chanting "Nom yo ho ren gyeh kyo" so quickly that it sounds like a swarm of bees buzzing... ...As our view passes the window it is now night. A TV is playing a sitcom with loud canned laughter, a baby is screaming, people in another apartment are having loud sex... MALE
SEX VOICE (O.S.) MALE
SEX VOICE #2 (O.S.) ...And someone down the way farts and farts, long ripping ones, then a helicopter hovers overhead, it's spotlight beams on illuminating the whole room. Todd lies on the bed in his wrinkled, sweat stained brown suit, empty bottles around him, his mouth open and his eyes unfocused... ...Night becomes day, dogs bark, phones ring, engines rev, little kids scream... ...Our view moves closer and closer to Todd to his bloodshot eyes, then into his pupil... DISSOLVE TO: EXT. CHEBOYGAN - DAY The bright sun glistens off the surface of Lake Huron and illuminates the little town of Cheboygan. A hunk of ice cracks loose from the shore and floats out into the lake. Clumps of snow drop off the limbs of the trees. Snow melts in the sun and forms puddles. Water runs out of gutters and drain pipes. Time lapse: buds push their way through the soil and twist their way out from the ends of branches. INT. THE BLIND PIG SALOON - NIGHT We see the canoe hanging from the ceiling, then our view moves down to a small table off to the side where Laura and Aly are seated, drinks on the table, a cigarette burning in the ashtray. LAURA
Aly looks at Laura with a pissed off expression. ALY
This surprises Laura. She was expecting sympathy. LAURA
ALY
LAURA
ALY
Laura is really shocked. LAURA
ALY
Laura looks like she's going to cry. LAURA
ALY LAURA ALY
LAURA
ALY
LAURA
ALY
LAURA
ALY
LAURA
ALY
LAURA ALY
LAURA
ALY
LAURA
INT. TODD'S APARTMENT - DAY The shades are pulled down so it's kind of dark inside. Someone's pounding at the door, followed by muffled voices. A key turns in the lock and the door opens letting in bright sunlight. A beam of light widens across Todd who is sitting on the floor wrapped in his dirty, yellow blanket. He has a beard and his eyes are bloodshot and squinting from the light. Two silhouettes stand in the doorway. They step inside. It is George and the Marshal who holds a piece of paper in his hand. MARSHAL
TODD MARSHAL
Todd slowly rises to his feet clutching the blanket, several beer cans clatter to the floor. He is wearing his wrinkled brown suit. MARSHAL
Todd walks past them directly out the door. EXT. TODD'S EX-APARTMENT BUILDING - DAY The Marshall accompanies Todd to the edge of the property at the sidewalk. The front of the building is now completely landscaped in bricks, not a hint of foliage anywhere. A tow truck has just finished hooking up to the front of Todd's car, then tows it away. Todd doesn't even blink. The Marshall looks at Todd and shakes his head sadly. He gets into his car and drives away. Todd sits down on the curb, the yellow blanket around his shoulders. He watches as George leads two Mexican workmen into the apartment. A group of five, ten-year old Jewish boys with yamulkas walk past on the sidewalk holding a basketball. They all look at Todd, then keep talking and continue past. The Mexican workers come out of the apartment carrying loaded trash bags which they toss on the curb beside Todd. George returns leading a prospective TENANT, a twenty-five year old boy with dark hair holding a guitar case. GEORGE
The prospective tenant simply glances inside then turns to George. TENANT
Todd rises to his feet. He pulls the yellow blanket tightly around his shoulders and walks slowly away. DISSOLVE TO: EXT. LAURA'S HOUSE - DAY The leaves on the trees around Laura's old house are all budding and green. We can hear the sound of a phone ringing from within the receiver. INT. LAURA'S HOUSE - DAY Laura stands in the living room with the phone to her ear. It finally connects with a pre-recorded OPERATOR's voice. OPERATOR
(V.O.) Laura hangs up with a distraught expression. She thinks for a second, then pick up the phone and redials. She gets a live, INFORMATION OPERATOR. INFO
OP (O.S.) LAURA
INFO
OP LAURA
INFO
OP Laura hangs up and redials. A DECADE 31 OPERATOR answers. DECADE
31 OP (O.S.) LAURA
DECADE
31 OP The phone clicks, then rings and is answered by a salesman named JOHN BORASKI. JOHN
LAURA
JOHN
VOICE
Laura is shocked. JOHN
LAURA
She hangs up. She stands there looking disturbed. LAURA
Laura goes to the closet and puts on her coat. EXT. HOLMAN'S BACKYARD - DAY Mr. and Mrs. Holman are busy as bees in their backyard ripping out dead plants, tilling the soil and replanting. Laura walks up frowning. Mr. and Mrs. Holman get the vibes immediately and stop what they're doing. LAURA
Mr. and Mrs. Holman look at each other and both shake their heads. MRS.
H LAURA
MRS.
H MR.
H LAURA
Now Mr. and Mrs. Holman look as disturbed as Laura. MR.
H LAURA
MR.
H MRS.
H LAURA
MR.
H LAURA
There's a beat as they all think. LAURA
MR.
H. MRS.
H The all turn and walk rapidly toward the house. LAURA
MR.
H DISSOLVE TO: EXT. HOLLYWOOD BOULEVARD - NIGHT At the corner of Hollywood Blvd. and Orange St. is The Chinese Theater with its flashing lights and loads of tourists clogging the forecourt. Todd comes around the corner looking a sight: he's long unshaven, his hair is messed up and dirty, his clothes are filthy and his eyes are glazed, bloodshot and unfocused. He's drinking a Miller Tall-Boy from the can. A black and white L.A. police cruiser pulls up beside him and keeps pace. The COP speaks to him through the open window. COP
Todd just keeps walking, totally oblivious. The Cop takes the portable spotlight and shines it in Todd's face. For a second Todd starts blinking, unsure of what's so bright. Finally, it gets his attention. He stops and turns. COP The Cop takes Todd's beer and pours it into the gutter. Todd watches entirely unconcerned. The Cop sets the empty can on the curb. COP TODD
The Cop looks Todd straight in the face and pokes him squarely in the chest. COP The Cop gets back in the car and drives away. Todd goes over to the can, puts his foot on top and crushes it. He puts the crushed can in his pocket. He looks around, then steps up to a garbage can and digs around. He comes up with a McDonald's bag. He empties it out, reaches into his other pocket and takes out a pint of scotch. He puts the scotch in the bag, takes a sip and walks away. DISSOLVE TO: EXT. TRAVERSE CITY AIRPORT - NIGHT A small, Northwest Airlines 20-seat prop plane revs it's rotors. It begins taxiing down the runway. INT. NORTHWEST AIRLINES PLANE - NIGHT Laura sits at the window looking out, Mr. Holman is beside her. As they build speed and a lot of vibration, Laura turns to Mr. Holman smiling weakly. LAURA MR.
H LAURA
The plane takes off. Laura's eyes widen and she gulps. LAURA
MR.
H LAURA MR.
H LAURA MR.
H LAURA
MR.
H LAURA
MR.
H LAURA
MR.
H LAURA
Mr. Holman is really shocked by this information. MR.
H LAURA
MR.
H LAURA MR.
H LAURA
MR.
H Laura turns and looks back out the window. |
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