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Sept. 12, 2003 Head Shot: An Original Screenplay [All scenes marked "Stock Shots" are in fact actual footage that does exist, and all lines of dialog within the stock shots are verbatim quotes]. EXT. THE WHITE HOUSE -- NIGHT We see the White House in Washington, D.C. illuminated and standing out brightly against the black sky. A NARRATOR's voice speaks in a serious tone. NARRATOR FADE IN:
Chicago is a hustling, bustling, very large American
city on the go. Elevated train tracks EXT. THE AMBASSADOR EAST HOTEL - DAY The Ambassador East Hotel is one of, if not the very best hotel in Chicago. A 1959 Cadillac limousine pulls up in front of the hotel. A doorman quickly rushes up and opens the limo's back door. Stepping out of the limo is a 71-year-old man with an erect bearing, a bald head, round horn-rimmed glasses, and air of supreme arrogance. He is wearing a long dark coat and holding a cane with a large silver knob on the end. He puts a bowler hat on his large head and secures it down tightly. A subtitle reads: "JOSEPH P. KENNEDY, former Ambassador to the Court of St. James, father of John Kennedy and Robert Kennedy." He struts through the front door of the hotel and two of his men also in bowler hats accompany him. INT. THE PRESIDENTIAL SUITE - DAY Joe Kennedy and his two men step up to the double-doors marked "Presidential Suite" and one of the men knocks. A tough-looking mobster opens the door and lets them in. Sitting on the couch is a round-faced man with a slightly large nose, he's fifty-one years old, bald on top with dark hair around the sides and back, and wears thick black-rimmed glasses. A subtitle reads: "SAM "MOONEY" GIANCANA, head of the Chicago mob and one of the most powerful underworld leaders in the world." Sam wears a perpetual scowl, which is why he's known as "the sour-faced Don." Sam stands up, removes his glasses and shakes Joe's hand. SAM JOE SAM JOE SAM JOE Sam and Joe sit down on over-stuffed easy chairs. One of Sam's men serves them iced tea. Sam pulls out a cigar case and offers one to Joe, who declines. Sam lights a cigar. They both sip their iced tea waiting for the right moment to continue. Finally, Joe speaks . . . JOE Sam puffs his cigar. SAM JOE SAM JOE SAM
SAM JOE SAM JOE SAM JOE Sam gives Joe a long hard look. SAM JOE JOE SAM JOE SAM JOE SAM Joe smiles happily and shakes Sam's hand. JOE SAM
Joe stands to leave and Sam stands with him, as do all of their men. SAM Joe leaves. Sam watches him go and puffs on his cigar. JOHN F. KENNEDY MONTAGE - STOCK FOOTAGE Frank Sinatra sings "High Hopes" with lyrics written specifically for John Kennedy's campaign. SINATRA 'Cause
he's got high hopes Oops
there goes the opposition, ker- We see Kennedy campaigning, shaking hands, kissing babies. John and Jackie have terrific smiles and flash them often. John speaks at a campaign rally . . . JFK NIXON We seeing Kennedy just sitting there, grinning broadly. Nixon goes on to say . . . NIXON KENNEDY The audience loves it. On November 8, the final election returns for the 1960 election come in: Kennedy wins by the slightest margin ever in American history -- one-tenth of one-percent. One of the swing states, we are told, is Illinois. EXT. SAM GIANCANA'S HOUSE/CHICAGO SUBURBS - NIGHT Sam Giancana has a moderately large house in the Chicago suburb of Oak Park. About ten cars are parked in front, and four men stroll the grounds. A title reads, "Sam Giancana's house, Oak Park, Illinios." INT. SAM GIANCANA'S HOUSE - NIGHT Sam, a bunch of his men, and some good-looking gals are all dressed up and watching the election returns on a black and white TV. They drink martinis and smoke cigarettes. Kennedy wins. Sam says to the pretty dark-haired girl beside him, JUDY CAMPBELL . . . This gets a big laugh from the crowd. They all toast their glasses. EVERYONE SAM EVERYONE They toast again. Sam turns and kisses Judy. JUDY SAM JUDY SAM Judy snuggles up against him. JUDY SAM John F. Kennedy is sworn in as President of the
United States. In his inaugural speech he KENNEDY DISSOLVE: INT. SAM GIANCANA'S HOUSE/ BASEMENT OFFICE - DAY Sam Giancana has a paneled office in his basement and is smoking a cigar and watching TV. TV NEWS: John Chancellor announces . . . JOHN
CHANCELLOR Sam's eyes go wide and he rears back, choking on his cigar and nearly falling off his chair. SAM He picks up the receiver and dials the rotary telephone. EXT. SHO-BAR CLUB - DAY The Sho-Bar Club in New Orleans is a swinging nightclub. We hear the phone ringing. INT. SHO-BAR PRIVATE DINING ROOM - DAY SAL SAM Sal Marcello is horrified. SAL SAM SAL SAM SAL ROBERT F. KENNEDY SENATE HEARINGS - STOCK FOOTAGE Robert Kennedy begins his senate hearings into organized crime and labor. He calls before the committee: JAMES HOFFA, head of the Teamster's union, as well as Carlos Marcello, head of the New Orleans and Texas mob. BAY OF PIGS - STOCK FOOTAGE We see black and white footage of Cuban rebels invading Cuba, American planes flying overhead, and American warships in Cuban waters.
INT. SAM GIANCANA'S HOUSE - DAY Sam sits in the living room with JIMMY HOFFA, a square-faced, serious man with a crew cut, and Sal Marcello. They all smoke cigars and have drinks before them. Sal asks . . . SAL SAM HOFFA SAM SAL Sam nods, he knows.
SAL SAM EXT. THE PLAZA HOTEL, NYC - DAY A Cadillac limo pulls up in front of the Plaza Hotel in New York City. Sam Giancana and two of his men get out and enter the hotel. INT. PRESIDENTIAL SUITE - DAY There is a knock at the door of the vast presidential suite which is answered by a liveried butler. Sam and his men are shown inside and the butler takes their hats and coats. The butler then shows Sam into the master bedroom. Joe Kennedy is sitting in an easy chair surrounded by newspapers. He stands up and shakes Joe's hand. JOE SAM JOE SAM JOE JOE SAM JOE SAM JOE SAM JOE SAM JOE SAM
SAM JOE SAM JOE SAM JOE SAM JOE SAM SAM JOE SAM JOE SAM JOE Sam jumps to his feet and points his finger in Joe's face. SAM JOE SAM Joe Kennedy stands and pokes himself in the chest. It's like someone hit Sam in the head with a hammer. He is completely stunned. SAM JOE SAM JOE Sam puts on his hat, turns on his heel, and he and his men leave. INT. PLAZA HOTEL LOBBY - DAY Sam and his two men step out of the elevator. Sam is fuming, goes directly to a phone booth, gets in and slams the door. His two men stand guard outside. Sam calls Sal Marcello in New Orleans. SAM SAM SAL SAM SAL SAM SAL SAM SAL SAL SAM Sam hangs up the phone and exits the phone booth. His men follow along. EXT. THE FRENCH QUARTER, NEW ORLEANS - NIGHT There's a lot of pedestrian traffic in and out of the many bars and clubs in New Orleans' French Quarter. On Bourbon St. there is a club called the Sho-Bar with a big neon sign. INT. SHO-BAR PRIVATE DINING ROOM - NIGHT Sal Marcello and Sam Giancana, both wearing dark suits and ties, sit at a table having a drink. Six of their men loiter around the perimeter of the room. The door opens and in walks a suave, good-looking, white-haired gentleman of 45 named CLAY SHAW in a pristine white suit. Clay steps right up to Sam and heartily shakes his hand. CLAY SAM Clay unbuttons his white jacket and sits CLAY SAM SAL CLAY Sal goes and gets Clay a glass and a bottle and brings them back to the table. He and Sam are drinking scotch, and Sam refills both of their glasses. They tip their glasses toward one another in a silent toast, then they all drink. CLAY SAM CLAY SAM CLAY Sam and Sal both look at each other in confusion. CLAY SAM SAL CLAY SAM CLAY SAM CLAY SAM CLAY CLAY SAM CLAY SAL SAM CLAY Sam and Sal look at each other, both obviously thinking. SAL SAM SAL CLAY Sam looks at Clay seriously, leaning in toward
him. SAM CLAY SAM CLAY Sam nods, stands, reaches out and shakes Clay's hand. SAM CLAY SAM
& SAL They both sip their drinks plaintively. Finally . . . SAM SAL SAM SAL SAM SAL SAM SAL SAM Sam thinks for a second, then grins. SAM Sam picks up the phone and dials. Sal looks pleased and waves one of his men over. SAL THUG The Thug exits. |
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