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EXT. GRUBB'S RANCH - NIGHT Mike and Stan are met at the door by a butler who takes their bags and shows them into the living room. INT. GRUBB'S LIVING ROOM - NIGHT Seated and standing in the spacious room are TEN MEN of all origins. RANDALL GRUBB strides over to meet them. He is an enormous man bear of a man with a big black beard and thick black hair covering his arms and poking out from under the top of his shirt. GRUBB Grubb wears cowboy boots, blue jeans and a western shirt. GRUBB Randall pumps his hand and turns to the others. GRUBB STAN GRUBB STAN Randall shakes Mike's hand. GRUBB Mike coughs. Everyone is looking at him and this is the toughest looking bunch of guys he's ever seen in his life. MIKE He coughs and mumbles simultaneously. GRUBB MIKE GRUBB Mike winces and gulps. MIKE GRUBB MIKE Everyone laughs and Mike takes it. GRUBB MIKE GRUBB MIKE GRUBB MIKE GRUBB Mike's eyes light up, as do everyone else's. MIKE Randall takes in everyone in the room in his glance. GRUBB Mike flushes red as everybody watches him closely. MIKE All the men smile - this was exactly what they wanted to hear. Randall steps up to Mike. He's a bit taller than Mike and easily outweighs him by fifty pounds.
Mike doesn't hesitate. He throws his entire body at Randall Grubb. Randall loses his footing and backs into a delicate-looking vase on a pedestal. It smashes to the floor. Mike throws himself at Grubb again and catches him in a scissors hold, easily flipping him to the floor. Mike comes around expertly with his arms and catches Randall in a full nelson, smashing his face into the carpet. GRUBB Mike doesn't move. MIKE GRUBB MIKE Mike mashes Randall's face deeper into the carpet. GRUBB Mike jumps off of him and is across the room before Grubb is on his feet. Stan slaps him five. STAN Randall stands, rubs the side of his
face and turns to the others. Grubb steps over to Mike. He looks like he might hit him, then shakes his hand. GRUBB INT. GRUBB'S RANCH/ GAME ROOM - LATER Everyone stands around a cardboard model of a small city sitting on top of a pool table. It is ten blocks square, has a main street and a harbor. Randall points with an antennae with a roach clip on the end. GRUBB Four of the men pick up their small suitcases and head for the door. Randall stops them with one last thing. GRUBB The men pat their pockets and nod. Mike looks at Stan helplessly. MIKE GRUBB MIKE STAN GRUBB MIKE Everyone in the room chuckles. GRUBB MIKE GRUBB Randall points at a bald, intense-looking guy sitting on the couch. He is KRACAUER. GRUBB Kracauer nods humbly. GRUBB Mike is sincerely unsure. MIKE Kracauer looks up at him.
Mike is convinced. MIKE INT. LIMOUSINE - NIGHT Mike, Stan, Randall and Kracauer ride in the back. Mike studies his new passport. MIKE KRACAUER MIKE Kracauer shakes his head. KRACAUER Mike's good feelings are gone. MIKE KRACAUER MIKE Kracauer frowns and shakes his head. KRACAUER MIKE Randall shakes his head. GRUBB MIKE GRUBB MIKE Randall nods. GRUBB GRUBB Kracauer and Mike nod. Stan has a strange look on his face. Randall sees this. GRUBB Stan looks at Mike, then looks down. STAN Mike is totally shocked. MIKE STAN MIKE STAN MIKE STAN Randall sticks his finger in Stan's face. GRUBB STAN Mike looks at Stan with a pleading expression. MIKE STAN Randall looks at Stan and Mike and shakes his head and sighs.
Mike looks from Stan to Randall. MIKE Randall and Stan both look at Mike in amazement. STAN MIKE STAN MIKE STAN MIKE Stan looks at Mike for a long moment, then shakes his head and walks away. Mike shrugs. Randall looks Mike in the eye. GRUBB MIKE Randall, Mike and Kracauer head into the airport. Mike glances back and sees Stan waiting at the taxi stand. They exchange a look, then Mike turns and walks away. INT. EL PASO AIRPORT - NIGHT In the airport they all spread out. Randall goes to the American Airlines desk, Kracauer to Northwest, Mike to TWA. INT. TWA TICKET DESK - NIGHT Mike checks his duffel bag. The FLIGHT ATTENDANT stamps his ticket. ATTENDANT Mike is caught unaware. MIKE ATTENDANT Mike is stumped. MIKE ATTENDANT MIKE ATTENDANT MIKE Mike pats the pocket with his passport.
The flight attendant laughs and hands Mike his ticket. ATTENDANT MIKE Mike walks away from the counter and wipes a pint of sweat from his brow. DISSOLVE: EXT. MILAN MALPENSA AIRPORT - NIGHT Mike's TWA jet lands in Milan, Italy nine hours later. INT. MALPENSA AIRPORT - NIGHT He gets his duffel bag and steps into a long line for customs. Strangely, it is moving very fast and before he knows it he's standing in front of an Italian CUSTOMS MAN flanked by a SOLDIER with a beret and a machine-gun. CUSTOMS
MAN Mike is sweating as he hands it over. Just as the Customs Official opens it, Mike glances down at his duffel bag. On the side of it is stenciled in big white letters, "Kelsy." CUSTOMS
MAN MIKE The Customs Man reaches for Mike's duffel. CUSTOMS
MAN Mike rolls it over so that "Kelsy" isn't showing and unties the string. CUSTOMS
MAN Mike pulls out all of his clothes. There really isn't all that much, but as he's pulling stuff out, he spots letters from his Mother addressed to Mike Kelsy. Mike's panic increases. The Customs Man goes through the clothes rather scrupulously. Mike glances back and see Randall Grubb at the end of another customs line. He winks at Mike and looks away. The Customs Man picks up the letters and opens each envelope, but doesn't read anything. He finally pushes all of Mike's stuff past him. Mike inwardly sighs. The Customs Official stamps Mike's passport and holds it out to Mike, but won't let go. CUSTOMS
MAN Once again Mike is caught unaware. MIKE CUSTOMS
MAN MIKE CUSTOMS
MAN MIKE CUSTOMS
MAN MINE CUSTOMS
MAN Mike is dying. The guy won't let go of his passport. MIKE CUSTOMS
MAN He lets go of the passport. Mike puts it in his pocket. It's over and he somehow got through it. He starts to stuff his clothes back in his duffel bag. MIKE CUSTOMS
MAN MIKE
The Customs Man suddenly grows very serious. CUSTOMS
MAN MIKE CUSTOMS
MAN Mike freezes. He blew it. He hands back his passport and breathes his last breath. The Customs Man opens the passport, goes through the pages and stops. He closes it and hands it back. CUSTOMS
MAN Mike picks up his duffel, breathes deeply, turns and leaves. MIKE EXT. MALPENSA AIRPORT/ MILAN - NIGHT When Mike gets out of the terminal into the balmy Italian air, he breathes a big sigh of relief and sits down for a second on a bench. CAB DRIVERS yell in Italian. MIKE Mike jumps to his feet and walks past the various terminals. At the very end is Air Africa. INT. MALPENSA AIRPORT - AIR AFRICA DESK - NIGHT Mike checks in with a pretty BLACK GIRL and gets a seat assignment. Waiting in the terminal is Randall Grubb and a tall red headed guy that Mike met at Randall's house. They both glance at him, but neither makes any move toward him. Mike sits down on a blue plastic seat and picks up a newspaper. It's in Italian, he can't read it. He looks at the pictures. Five other people arrive in the Air Africa terminal before the flight to Accra is called. A FAT MAN in a white suit, sweating profusely and reading a German newspaper. A SHORT GUY with glasses seemingly staring at nothing. A mean looking man with THICK EYEBROWS reads a book in God knows what language, and peers over the top of it at Mike. Mike starts sweating again. MIKE There is also a BRITISH COUPLE who just talk and talk. INT. AIR AFRICA JET - NIGHT On board the 30-seat French jet, Mike sits down and the man with the thick eyebrows seats himself right next to him and continues reading his book. EXT. AIR AFRICA JET - NIGHT The jet roars down the runway and lifts off into the sky. INT. AIR AFRICA JET - NIGHT The man next to Mike finally turns to him. His eyebrows are like armpits and the hair in his nose is thick. He smells like paprika on cabbage. He looks like he's going to kill Mike. He reaches into his vest pocket for his gun. EYEBROWS MIKE EYEBROWS He pulls out a rectangular wooden box. EYEBROWS Mike sighs in relief. MIKE EYEBROWS He opens the box and it's a little chess board. EYEBROWS Mike nods in agreement. CUT TO: INT. BRITISH EMBASSY OFFICE - DAY Sir Robert Densmore and Julius Thornsby meet in an empty office. Thornsby shows Densmore the deposit bag filled with several pounds of cut diamonds. DENSMORE THORNSBY INT. BRITISH EMBASSY/ GUEST ROOM - DAY Sekou Nyerere lies in bed in terrible pain as Undersecretary Donald Wolfitt administers an injection of morphine. Sir Robert steps into the room. Wolfitt sees him. WOLFITT DENSMORE Wolfitt pulls the needle from Nyerere's arm. WOLFITT Sekou sits up, the drug beginning to effect him. NYERERE DENSMORE NYERERE DENSMORE RYERERE Densmore considers this seriously. DENSMORE NYERERE He hands Sir Robert a piece of paper with an address on it. Wolfitt looks at him. WOLFITT Densmore shakes his head. DENSMORE WOLFITT DENSMORE WOLFITT
NYERERE Nyerere passes out. EXT. BRITISH EMBASSY - DAY All six Gurkhas are still at the gate which is now boarded up and blocked by a Jeep. There are revolutionaries on the other side, but at the moment no one is shooting. Sir Robert steps up, his AK-47 in his hands. DENSMORE All of the Gurkhas step forward. Gueng speaks. GUENG DENSMORE Gueng looks at the men and points to Tenzing. GUENG Tenzing steps forward. Densmore offers him the AK-47. DENSMORE TENZING Tenzing and Sir Robert go into the embassy. Gueng nods approvingly. He and the Gurkhas turn back to the gate. INT. EMBASSY FOYER - DAY Sir Ian is waiting for Sir Robert and Tenzing. SIR
IAN He leads them to a door and unbolts it. INT. EMBASSY CELLAR - DAY The heavy, oak door creaks open and Sir Ian leads them down a staircase. SIR
IAN He leads them through the dark basement to a wine rack filled with dusty bottles. SIR
IAN Sir Robert and Tenzing carefully move the wine rack aside, revealing a three foot high wooden door. SIR
IAN DENSMORE SIR
IAN Tenzing nods and goes through the door. Sir Robert follows - both have flashlights. Sir Ian shuts the door after them. INT. EMBASSY PASSAGEWAY - DAY The dark tunnel is tall enough for Tenzing to stand up straight, but not Densmore, who crouches. It is filled with cobwebs that immediately engulf both of them. They scurry along, trying not to think about what might be lurking ahead, or underfoot. Suddenly Tenzing puts up his hand and stops. Densmore also stops. Tenzing aims his flashlight beam at a coiled snake on the floor. It is ready to strike. Densmore shudders. Tenzing hands Densmore his carbine. TENZING Tenzing pulls a knife with a foot long curved blade, called a Kookri, from somewhere behind his back and cautiously steps toward the hissing snake. Tenzing makes a lunge toward the snake, then quickly backs away. The snake strikes, Tenzing sidesteps it, grabbing it around the jaws and expertly lops its head off with a single swipe of the blade. He tosses the head on the floor and reaches back for his carbine.
Sir Robert is astounded. There is five feet of headless snake writhing on the floor. He hands Tenzing his Carbine. DENSMORE Tenzing continues quickly up the passageway. Sir Robert hesitates, then jumps over the snake's body with a look of revulsion on his face. When they reach the end of the tunnel, they find wooden slats covering the ceiling. Tenzing and Densmore look at the slats, then at each other. DENSMORE TENZING Densmore nods and swings the butt of the AK-47 at the slats, breaking them right out. Tenzing shoves the barrel of his carbine through the hole and brings his face up to see what he's aiming at.
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