The authors of this list both work in
varying capacities in the film industry and have both been fascinated by
the Academy Awards since they were young children. Rick can recall
the awards of 1957 (for the films of 1956) where Ingrid Bergman won Best
Actress, but had Cary Grant accept the award for her since she had left
the country in shame nine years earlier bearing Roberto Rosellini's illegimate
child (Isabella's older brother). Josh, being eight years younger
than Rick, can only remember back to 1969 (for the films of 1968), with
Barbra Striesand saying to her Best Actress award (in a tie with Kathrine
Hepburn), "Hello gorgeous." Rick has in fact made it a life goal
to see all of the Academy Award nominated films. The winners would
be
approximately twenty-two categories multiplied by sixty-three years.
That's thirteen hundred and eighty-six movies. The nominees, however,
makes it twenty-two times sixty-three times five! That's six thousand
nine hundred and thirty films! And he's over three-quarters of the
way there (he's actually over four-fifths of the way there in the feature
catagories, it's the short subjects that are messing up his average).
In the course of the past fifteen years Rick has dragged Josh to innumerable
dull, nominated films. The authors speculate constantly about the
Academy Awards even though they are both no longer interested in either
what's nominated or what wins. Old habits apparently do die hard.
Here is a list of all the Best Picture
winners, the films that the authors would have chosen of the nominees,
and the films they would have chosen of the eligible films released that
year.
Rick happens to have all of the Academy Award reminder lists,
the lists of all the eligible films in each given year going all the way
back to 1927. Quite handy, really.
|
Year
|
Winner
|
Of the Nominees:
|
Of the Eligible:
|
| 27/28 |
WINGS |
THE LAST COMMAND |
SUNRISE |
| 28/29 |
BROADWAY MELODY |
THE PATRIOT
(the most famous film that
no longer exists which we have not seen, however it must be better than
the winner) |
THE DOCKS OF NEW YORK |
| 29/30 |
ALL QUIET ON THE WESTERN FRONT |
ALL QUIET ON THE WESTERN FRONT |
ALL QUIET ON THE WESTERN FRONT |
| 30/31 |
CIMARRON |
SKIPPY |
MOROCCO |
| 31/32 |
GRAND HOTEL |
SHANGHAI EXPRESS |
SHANGHAI EXPRESS |
| 32/33 |
CAVALCADE |
I AM A FUGITIVE FROM A CHAIN
GANG |
LOVE ME TONIGHT |
| 1934 |
IT HAPPENED ONE ONE NIGHT |
IT HAPPENED ONE ONE NIGHT |
THE SCARLET EMPRESS |
| 1935 |
MUTINY ON THE BOUNTY |
THE INFORMER |
THE DEVIL IS A WOMAN |
| 1936 |
THE GREAT ZIEGFELD |
DODSWORTH |
Rick: SWING TIME
Josh: DODSWORTH |
| 1937 |
THE LIFE OF EMILE ZOLA |
DEAD END |
DEAD END |
| 1938 |
YOU CAN'T TAKE IT WITH YOU |
THE ADVENTURES OF ROBIN HOOD |
Rick: BRINGING UP BABY
Josh: THE ADVENTURES OF ROBIN
HOOD |
| 1939 |
GONE WITH THE WIND |
GONE WITH THE WIND |
GONE WITH THE WIND |
| 1940 |
REBECCA |
THE GRAPES OF WRATH |
THE GRAPES OF WRATH |
| 1941 |
HOW GREEN WAS MY VALLEY |
CITIZEN KANE |
CITIZEN KANE |
| 1942 |
MRS. MINIVER |
THE MAGNIFICENT AMBERSONS |
THE MAGNIFICENT AMBERSONS |
| 1943 |
CASABLANCA |
CASABLANCA |
CASABLANCA |
| 1944 |
GOING MY WAY |
MEET ME IN ST. LOUIS |
Rick: SINCE YOU WENT AWAY
Josh: GOING MY WAY |
| 1945 |
THE LOST WEEKEND |
THE LOST WEEKEND |
THE LOST WEEKEND |
| 1946 |
THE BEST YEARS OF OUR LIVES |
THE BEST YEARS OF OUR
LIVES |
THE BEST YEARS OF OUR LIVES |
| 1947 |
GENTLEMAN'S AGREEMENT |
GREAT EXPECTATIONS |
BLACK NARCISSUS |
| 1948 |
HAMLET |
THE RED SHOES |
THE RED SHOES |
| 1949 |
ALL THE KING'S MEN |
LETTER TO THREE WIVES |
THE BICYCLE THIEF |
| 1950 |
ALL ABOUT EVE |
ALL ABOUT EVE |
ALL ABOUT EVE |
| 1951 |
AN AMERICAN IN PARIS |
A PLACE IN THE SUN |
A PLACE IN THE SUN |
| 1952 |
THE GREATEST SHOW ON EARTH |
THE QUIET MAN |
LOS OLVIDADOS |
| 1953 |
FROM HERE TO ETERNITY |
Rick: SHANE
Josh: FROM HERE TO ETERNITY |
Rick: THE BAND WAGON
Josh: FROM HERE TO ETERNITY |
| 1954 |
ON THE WATERFRONT |
ON THE WATERFRONT |
ON THE WATERFRONT |
| 1955 |
MARTY |
MARTY |
Rick: EAST OF EDEN
Josh: MARTY |
| 1956 |
AROUND THE WORLD IN EIGHTY DAYS |
FRIENDLY PERSUASION |
Rick: SEVEN SAMURAI
Josh: FRIENDLY PERSUASION |
| 1957 |
THE BRIDGE THE RIVER KWAI |
THE BRIDGE THE RIVER KWAI |
THE BRIDGE THE RIVER KWAI |
| 1958 |
GIGI |
GIGI |
GIGI |
| 1959 |
BEN-HUR |
THE NUN'S STORY |
Rick: THE FOUR HUNDRED BLOWS
Josh: THE NUN'S STORY |
| 1960 |
THE APARTMENT |
THE APARTMENT |
Rick: IKIRU
Josh: THE APARTMENT |
| 1961 |
WEST SIDE STORY |
WEST SIDE STORY |
WEST SIDE STORY |
| 1962 |
LAWRENCE OF ARABIA |
LAWRENCE OF ARABIA |
LAWRENCE OF ARABIA |
| 1963 |
TOM JONES |
TOM JONES |
FELLINI'S 8 1/2 |
| 1964 |
MY FAIR LADY |
DR. STRANGELOVE |
DR. STRANGELOVE |
| 1965 |
THE SOUND OF MUSIC |
THE SOUND OF MUSIC |
Rick: TOKYO OLYMPIAD
Josh: THE SOUND OF
MUSIC |
| 1966 |
A MAN FOR ALL SEASONS |
WHO'S AFRAID OF VIRGINIA
WOOLF |
WHO'S AFRAID OF VIRGINIA
WOOLF |
| 1967 |
IN THE HEAT OF THE NIGHT |
BONNIE AND CLYDE |
Rick: PERSONA
Josh: BONNIE AND CLYDE |
| 1968 |
OLIVER! |
ROMEO & JULIET |
2001: A SPACE ODYSSEY |
| 1969 |
MIDNIGHT COWBOY |
Z |
THE WILD BUNCH |
| 1970 |
PATTON |
PATTON |
WOODSTOCK |
| 1971 |
THE FRENCH CONNECTION |
THE LAST PICTURE SHOW |
THE LAST PICTURE SHOW |
| 1972 |
THE GODFATHER |
THE GODFATHER |
THE GODFATHER |
| 1973 |
THE STING |
CRIES AND WHISPERS |
CRIES AND WHISPERS |
| 1974 |
THE GODFATHER PART TWO |
THE GODFATHER PART TWO |
THE GODFATHER PART TWO |
| 1975 |
ONE FLEW OVER THE CUCKOO'S NEST |
JAWS |
Rick: NASHVILLE
Josh: JAWS |
| 1976 |
ROCKY |
TAXI DRIVER |
TAXI DRIVER |
| 1977 |
ANNIE HALL |
ANNIE HALL |
ANNIE HALL |
| 1978 |
THE DEER HUNTER |
ABSTAIN (This is the first totally
bad year for nominations). |
THE FURY |
| 1979 |
KRAMER VS. KRAMER |
APOCALYPSE NOW |
HAIR |
| 1980 |
ORDINARY PEOPLE |
RAGING BULL |
RAGING BULL |
| 1981 |
CHARIOTS OF FIRE |
ATLANTIC CITY |
Rick: GALLIPOLI
Josh: ATLANTIC CITY |
| 1982 |
GANDHI |
TOOTSIE |
THE ROAD WARRIOR |
| 1983 |
TERMS OF ENDEARMENT |
TENDER MERCIES |
TENDER MERCIES |
| 1984 |
AMADEUS |
PLACES IN THE HEART |
STRANGER THAN PARADISE |
| 1985 |
OUT OF AFRICA |
WITNESS |
Rick: BRAZIL
Josh: WITNESS
|
| 1986 |
PLATOON |
PLATOON |
PLATOON |
| 1987 |
THE LAST EMPEROR |
HOPE & GLORY |
HIGHTIDE |
| 1988 |
RAIN MAN |
ABSTAIN (The second totally bad
year). |
A WORLD APART |
| 1989 |
DRIVING MISS DAISY |
BORN ON THE 4TH OF JULY |
BORN ON THE 4TH OF JULY |
| 1990 |
DANCES WITH WOLVES |
GOODFELLAS |
Rick: LAST EXIT TO BROOKLYN
Josh: GOODFELLAS |
Postscript:
When I got the assignment to write the lead article for FILM THREAT's
Oscar issue, the first thing that I did was get together with Rick Sandford,
my friend the Oscar expert. We sat around for an afternoon discussing
the Academy Awards and pretty quickly I knew what my article would be about.
Since Rick was unemployed at the time and had a particular ax to grind
with the Academy (the fact that young attractive males don't win Oscars),
I suggested that he write his own article which I would see if I could
get published as a side-piece to my article (FILM THREAT regularly included
short articles printed along side of the main article).
Then, since we were on a roll, I suggested that we make the "what could've
won, what should've won" list. By 1936 we were already in a disagreement:
Rick thought SWING TIME was a much better movie than DODSWORTH, which I
don't agree with. 1938 we disagreed again, then 1944, then 1953,
then 1955 . . . By the end we were sick of making the list, sick
of the Academy Awards and sick of each other.
I wrote my article, Rick wrote his, and I turned them both in.
Later . . .
Rick: So, what did you think of my article?
Josh: It was great. I turned in mine and your's.
Rick: You did what?!! But It wasn't done!
Josh: It wasn't? It sure seemed done.
Rick: Well it wasn't! I would have gone back and double-checked
some of the facts again.
Josh: Do it. If there's any changes I'll phone them in.
Rick: I can't believe you just went and turned them both in without
talking to me. I'm so insulted I don't even know what to say.
Josh: Insulted? Didn't you write it for the explicit purpose
of giving it to me so I could give it to them?
Rick: I'm talking about your article.
Josh: You've got nothing to do with my article.
Rick: I would have proof-read it for you.
Josh: I didn't need you to proof-read it for me. It met
my standards which are much higher than FILM THREAT's standards, and that's
enough for me.
Rick: But it may not have met my standards.
Josh: It probably didn't, but there's only one of you.
At which point he hung up on me.
A couple of weeks later, when all seemed to have settled down on this
front (Rick double-checked his statistics and they were all correct), the
Oscar issue of the magazine came out. I snagged two early copies
and left one in Rick's mailbox. Later that evening, I called him
and asked what he thought of seeing his article in print?
"I'm too bust making my notes on your article."
"Who asked for notes?"
"You should've had me proof-read this before it was published."
"Well, it's published, so I don't need your notes."
"I'll do them anyway."
I received his notes -- five, single-spaced typed pages -- in the mail
a few days later. He used every uncomplimentary adjective he could
come up: "Stupid, lazy, ridiculous, etc."
I thought of many witty retorts, then finally settled for, "Rick, you
are my friend. This gives you the ability to hurt me if you want.
Please don't take advantage of that ability. Your friend, Josh."
I then received yet another five page, single-spaced salvo taking on
my whole life in the same terms he took on my article. "Now," I said
to myself, "all bets are off." I wrote back every bit as strong and
insulting of a letter as he had sent me twice.
That was that. Rick and I did not speak for over a year.
A mutual friend informed me that Rick has been diagnosed HIV positive.
I dropped over his place and we picked right back up like nothing had happened
and only a week had gone by. After a couple of pleasant visits, Rick
said he wanted to discuss our fight, just to settle a single point.
"When did you get mad at me?" he asked.
"A year ago."
"No, I mean the specific moment?"
"Well," I thought, "when I got your first letter."
"Ah-ha!" he proclaimed. "I was mad at you before you were mad
at me!"
He had gotten mad at me when I wouldn't let him proof-read my article.
And so I acquiesced. "Fine."
Rick and I became very good friends again.
As I held his hand on the way to his radiation and chemo therapy treatments,
very soon before he lapsed into a coma he never came out of, he asked through
tears:
"Have we left any of our personal problems unresolved?"
"No, I don't think so."
"Good."
Rick died soon thereafter. |