THE OSCARS: WHAT COULD HAVE WON AND WHAT SHOULD HAVE WON

By 
Josh Becker 
and 
Rick Sandford 



      The authors of this list both work in varying capacities in the film industry and have both been fascinated by the Academy Awards since they were young children.  Rick can recall the awards of 1957 (for the films of 1956) where Ingrid Bergman won Best Actress, but had Cary Grant accept the award for her since she had left the country in shame nine years earlier bearing Roberto Rosellini's illegimate child (Isabella's older brother).  Josh, being eight years younger than Rick, can only remember back to 1969 (for the films of 1968), with Barbra Striesand saying to her Best Actress award (in a tie with Kathrine Hepburn), "Hello gorgeous."  Rick has in fact made it a life goal to see all of the Academy Award nominated films.  The winners would be 
approximately twenty-two categories multiplied by sixty-three years.  That's thirteen hundred and eighty-six movies.  The nominees, however, makes it twenty-two times sixty-three times five!  That's six thousand nine hundred and thirty films!  And he's over three-quarters of the way there (he's actually over four-fifths of the way there in the feature catagories, it's the short subjects that are messing up his average).  In the course of the past fifteen years Rick has dragged Josh to innumerable dull, nominated films.  The authors speculate constantly about the Academy Awards even though they are both no longer interested in either what's nominated or what wins.  Old habits apparently do die hard. 
      Here is a list of all the Best Picture winners, the films that the authors would have chosen of the nominees, and the films they would have chosen of the eligible films released that year. 
  Rick happens to have all of the Academy Award reminder lists, the lists of all the eligible films in each given year going all the way back to 1927.  Quite handy, really. 
 
 
 
 

Year 
 Winner 
 Of the Nominees: 
Of the Eligible: 
27/28  WINGS THE LAST COMMAND SUNRISE
28/29 BROADWAY MELODY  THE PATRIOT
(the most famous film  that no longer exists which we have not seen, however it must be better than the winner)
THE DOCKS OF NEW YORK
29/30 ALL QUIET ON THE WESTERN FRONT ALL QUIET ON THE WESTERN FRONT ALL QUIET ON THE WESTERN FRONT
30/31 CIMARRON SKIPPY MOROCCO
31/32 GRAND HOTEL SHANGHAI EXPRESS  SHANGHAI EXPRESS
32/33 CAVALCADE  I AM A FUGITIVE FROM A CHAIN GANG LOVE ME TONIGHT
1934  IT HAPPENED ONE ONE NIGHT  IT HAPPENED ONE ONE NIGHT THE SCARLET EMPRESS
1935 MUTINY ON  THE BOUNTY  THE INFORMER THE DEVIL IS A WOMAN
1936 THE GREAT ZIEGFELD DODSWORTH Rick:  SWING TIME
Josh:   DODSWORTH
1937 THE LIFE OF EMILE ZOLA DEAD END DEAD END
 1938  YOU CAN'T TAKE IT WITH YOU THE ADVENTURES OF ROBIN HOOD  Rick:  BRINGING UP BABY
Josh:  THE ADVENTURES OF ROBIN HOOD
1939 GONE WITH THE WIND GONE WITH THE WIND GONE WITH THE WIND
1940 REBECCA THE GRAPES OF WRATH  THE GRAPES OF WRATH 
1941 HOW GREEN WAS MY VALLEY CITIZEN KANE CITIZEN KANE
1942 MRS. MINIVER  THE MAGNIFICENT AMBERSONS  THE MAGNIFICENT AMBERSONS
1943 CASABLANCA CASABLANCA CASABLANCA
1944 GOING MY WAY MEET ME IN ST. LOUIS
Rick:  SINCE YOU WENT AWAY 
Josh:  GOING MY WAY
1945 THE LOST WEEKEND THE LOST WEEKEND THE LOST WEEKEND
1946  THE BEST YEARS OF OUR LIVES  THE BEST YEARS  OF OUR LIVES  THE BEST YEARS OF OUR LIVES
1947 GENTLEMAN'S AGREEMENT GREAT EXPECTATIONS BLACK NARCISSUS
1948 HAMLET  THE RED SHOES THE RED SHOES
1949 ALL THE KING'S MEN LETTER TO THREE WIVES THE BICYCLE THIEF
1950 ALL ABOUT EVE ALL ABOUT EVE ALL ABOUT EVE
1951 AN AMERICAN IN PARIS A PLACE IN THE SUN A PLACE IN THE SUN
1952 THE GREATEST SHOW ON EARTH THE QUIET MAN LOS OLVIDADOS
1953 FROM HERE TO ETERNITY Rick: SHANE 
Josh: FROM HERE TO ETERNITY
 Rick: THE BAND WAGON
Josh:  FROM HERE TO ETERNITY
1954 ON THE WATERFRONT ON THE WATERFRONT ON THE WATERFRONT
1955 MARTY MARTY Rick: EAST OF EDEN 
Josh:  MARTY
1956 AROUND THE WORLD IN EIGHTY DAYS  FRIENDLY PERSUASION  Rick: SEVEN SAMURAI
Josh:  FRIENDLY PERSUASION
1957 THE BRIDGE THE RIVER KWAI THE BRIDGE THE RIVER KWAI THE BRIDGE THE RIVER KWAI
1958 GIGI GIGI GIGI
1959 BEN-HUR THE NUN'S STORY   Rick: THE FOUR HUNDRED BLOWS
 Josh: THE NUN'S STORY
1960 THE APARTMENT  THE APARTMENT  Rick:  IKIRU
 Josh:  THE APARTMENT
1961 WEST SIDE STORY WEST SIDE STORY WEST SIDE STORY
1962 LAWRENCE OF ARABIA  LAWRENCE OF ARABIA  LAWRENCE OF ARABIA 
1963 TOM JONES  TOM JONES  FELLINI'S 8 1/2
1964 MY FAIR LADY  DR. STRANGELOVE DR. STRANGELOVE
1965 THE SOUND OF MUSIC  THE SOUND OF MUSIC  Rick:  TOKYO OLYMPIAD
 Josh:  THE SOUND OF MUSIC
1966 A MAN FOR ALL SEASONS WHO'S AFRAID OF  VIRGINIA WOOLF  WHO'S AFRAID OF  VIRGINIA WOOLF 
1967 IN THE HEAT OF THE NIGHT BONNIE AND CLYDE Rick:  PERSONA
Josh:  BONNIE AND CLYDE
1968 OLIVER!  ROMEO & JULIET  2001: A SPACE ODYSSEY
1969 MIDNIGHT COWBOY Z THE WILD BUNCH
1970 PATTON PATTON WOODSTOCK
1971 THE FRENCH CONNECTION THE LAST PICTURE SHOW THE LAST PICTURE SHOW
1972 THE GODFATHER THE GODFATHER THE GODFATHER
1973 THE STING CRIES AND  WHISPERS CRIES AND  WHISPERS
1974 THE GODFATHER PART TWO THE GODFATHER PART TWO THE GODFATHER PART TWO
1975 ONE FLEW OVER THE CUCKOO'S NEST  JAWS Rick:  NASHVILLE
Josh:  JAWS
1976 ROCKY TAXI DRIVER TAXI DRIVER
1977 ANNIE HALL ANNIE HALL ANNIE HALL
1978 THE DEER HUNTER ABSTAIN (This is the first totally bad year for nominations). THE FURY
1979 KRAMER VS.  KRAMER APOCALYPSE NOW HAIR
1980 ORDINARY PEOPLE RAGING BULL RAGING BULL
1981 CHARIOTS OF FIRE ATLANTIC CITY  Rick:  GALLIPOLI
 Josh:  ATLANTIC CITY
1982 GANDHI TOOTSIE THE ROAD WARRIOR
1983 TERMS OF ENDEARMENT TENDER MERCIES TENDER MERCIES
1984 AMADEUS PLACES IN THE HEART STRANGER THAN PARADISE
1985 OUT OF AFRICA WITNESS Rick: BRAZIL
Josh: WITNESS
1986 PLATOON PLATOON PLATOON
1987 THE LAST EMPEROR HOPE & GLORY HIGHTIDE
1988 RAIN MAN ABSTAIN (The second totally bad year). A WORLD APART
1989 DRIVING MISS DAISY BORN ON THE 4TH OF JULY BORN ON THE 4TH OF JULY
1990 DANCES WITH WOLVES  GOODFELLAS Rick:  LAST EXIT TO BROOKLYN
Josh:  GOODFELLAS

Postscript: 
 
 

When I got the assignment to write the lead article for FILM THREAT's Oscar issue, the first thing that I did was get together with Rick Sandford, my friend the Oscar expert.  We sat around for an afternoon discussing the Academy Awards and pretty quickly I knew what my article would be about.  Since Rick was unemployed at the time and had a particular ax to grind with the Academy (the fact that young attractive males don't win Oscars), I suggested that he write his own article which I would see if I could get published as a side-piece to my article (FILM THREAT regularly included short articles printed along side of the main article). 
Then, since we were on a roll, I suggested that we make the "what could've won, what should've won" list.  By 1936 we were already in a disagreement: Rick thought SWING TIME was a much better movie than DODSWORTH, which I don't agree with.  1938 we disagreed again, then 1944, then 1953, then 1955 . . .  By the end we were sick of making the list, sick of the Academy Awards and sick of each other. 
I wrote my article, Rick wrote his, and I turned them both in. 

Later . . . 
Rick:  So, what did you think of my article? 

Josh:  It was great.  I turned in mine and your's. 

Rick: You did what?!!  But It wasn't done! 

Josh:  It wasn't?  It sure seemed done. 

Rick:  Well it wasn't!  I would have gone back and double-checked some of the facts again. 

Josh:  Do it.  If there's any changes I'll phone them in. 

Rick:  I can't believe you just went and turned them both in without talking to me.  I'm so insulted I don't even know what to say. 

Josh:  Insulted?  Didn't you write it for the explicit purpose of giving it to me so I could give it to them? 

Rick:  I'm talking about your article. 

Josh:  You've got nothing to do with my article. 

Rick:  I would have proof-read it for you. 

Josh:  I didn't need you to proof-read it for me.  It met my standards which are much higher than FILM THREAT's standards, and that's enough for me. 

Rick:  But it may not have met my standards. 

Josh:  It probably didn't, but there's only one of you. 
At which point he hung up on me. 

A couple of weeks later, when all seemed to have settled down on this front (Rick double-checked his statistics and they were all correct), the Oscar issue of the magazine came out.  I snagged two early copies and left one in Rick's mailbox.  Later that evening, I called him and asked what he thought of seeing his article in print? 
"I'm too bust making my notes on your article." 
"Who asked for notes?" 
"You should've had me proof-read this before it was published." 
"Well, it's published, so I don't need your notes." 
"I'll do them anyway." 
I received his notes -- five, single-spaced typed pages -- in the mail a few days later.  He used every uncomplimentary adjective he could come up: "Stupid, lazy, ridiculous, etc." 
I thought of many witty retorts, then finally settled for, "Rick, you are my friend.  This gives you the ability to hurt me if you want.  Please don't take advantage of that ability.  Your friend, Josh." 

I then received yet another five page, single-spaced salvo taking on my whole life in the same terms he took on my article.  "Now," I said to myself, "all bets are off."  I wrote back every bit as strong and insulting of a letter as he had sent me twice. 
That was that.  Rick and I did not speak for over a year. 
A mutual friend informed me that Rick has been diagnosed HIV positive.  I dropped over his place and we picked right back up like nothing had happened and only a week had gone by.  After a couple of pleasant visits, Rick said he wanted to discuss our fight, just to settle a single point. 
"When did you get mad at me?" he asked. 
"A year ago." 
"No, I mean the specific moment?" 
"Well," I thought, "when I got your first letter." 
"Ah-ha!" he proclaimed.  "I was mad at you before you were mad at me!" 
He had gotten mad at me when I wouldn't let him proof-read my article. 
And so I acquiesced.  "Fine." 
Rick and I became very good friends again. 
As I held his hand on the way to his radiation and chemo therapy treatments, very soon before he lapsed into a coma he never came out of, he asked through tears: 
"Have we left any of our personal problems unresolved?" 
"No, I don't think so." 
"Good." 

Rick died soon thereafter. 

 

 

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